Part historical overview and part literary analysis, this course will examine LGBTQIA+ literature through the decades. Beginning with “hidden histories” of queer literature forced to hide its identity through the liberation era, the response to the devastation from Aids, and ending with contemporary works, this course will consider extracts from key works of LGBTQIA+ literature, offer a discussion of the work and contextualise it alongside the history of the community, and author biographies.
Who is this course for?
This course is for anyone with an interest in literature, history and/or LGBTQIA+ lives, although no prior knowledge of these topics is required.
What can I expect?
This course is taught through presentations (PowerPoint on shared screen) video clips and discussions. Discussion sections are optional, but allow participants to reflect on the material and their own experiences.
Joining via Zoom
This course or event will be held via Zoom. You need a computer/laptop or mobile phone to access the Zoom website, and a reliable internet connection.
You will need a computer or other device to connect with Zoom and a notebook/paper and pen/pencil, or digital equivalent.
Need to Know
Meet the Tutor
Dr Emily Garside
Emily Garside is a writer and professional nerd based in Cardiff. She has a PhD in theatrical responses to the AIDS crisis and is a leading expert on LGBTQ+ theatre. Emily regularly writes for journals such as The Queer Review, American Theatre, and Wales Art Review. She published her first non-fiction book ‘Love That Journey For Me: The Queer Revolution of Schitt's Creek’ in 2021 with 404ink. This was followed by ‘Angels in America at the British National Theatre’ in 2022 (McFarland). While 2023 sees ‘Seasons of Love, why Rent Matters’ (Applause), ‘Schitt’s Creek and the Rise of Queer TV’ (Applause), and ‘From Queer as Folk to It’s A Sin; Russell T Davies and Queer TV’ (Calon Books). She is also a journalist, a regular contributor for The Queer Review and has written for American Theatre, Slate, BBC, and The Stage. She also uses her research and lived experience to tell queer stories through fiction, having had several plays performed in London and nationally.
What We Do
